In this concise but expansive exegesis of the philosophical aesthetics of Étienne Souriau, philosopher David Lapoujade provides a lucid introduction to many of the key concepts underpinning Souriau’s existential pluralism. Among the various modes of existence that populate a world, Souriau grants particular importance to virtual beings—the lesser existences. Always taking the f...(展开全部)

Since its publication twenty years ago, Brian Massumi's pioneering Parables for the Virtual has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism...(展开全部)

Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence-movement, affect, and sensation-in favor of concepts derived from linguistic theory. In "Parables for the Virtual" Brian Massumi views the body and media such as television, film, and the Internet, as cul...(展开全部)

Although the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence-movement, affect, and sensation-in favor of concepts derived from linguistic theory. In "Parables for the Virtual" Brian Massumi views the body and media such as television, film, and the Internet, as cul...(展开全部)

S. L. MacGregor Mathers (1854-1918) was a prominent scholar and leader of the occult movement in Britian at the turn of the century. A life-long fascination with mysticism and Celtic symbolism led Mathers to hold high office in the Rosicrucian Society of England, and eventually to become a founder of the Hermetic Order of the Golden Dawn. He is also well known for having been a...(展开全部)

本书作者保罗•维利里奥作为艺术批评家、城市规划者、和平策略家，可以说是当代最激进坦率的“后现代解密者”。维利里奥的哲学核心是科技、速度、城市、虚拟、事件、意外、失序等概念群。

Virilio himself referred to his 1980 work The Aesthetics of Disappearance as a "juncture" in his thinking, one at which he brought his focus onto the logistics of perception -- a logistics he would soon come to refer to as the "vision machine." If Speed and Politics established Virilio as the inaugural -- and still consummate -- theorist of "dromology" (the theory of speed and ...(展开全部)